This episode is for the writer who is grappling with imposter syndrome. It happens to the best of us, and at least for me, that imposter syndrome led to a years-long creative famine where not only did I not write a single word, I also didn’t even consider myself a writer anymore. This episode gets a little personal, but I’m sharing the surprising key that pulled me out of that spiral and got me writing again. Let’s get started.

This episode is for the writer who has been doom-scrolling more than they’ve been writing. The headlines this month have been sobering, maddening, and frustrating. I’ve found myself at a loss for how to enact real change in areas that matter to me, and what’s come through on my end is an even greater conviction in this work. Consider this episode your invitation and call to take your story seriously in a world that feels like it’s falling apart. Let’s talk about it.

This episode is for the writer who wants to actually finish their memoir manuscript. This episode is also part of a four-part series that I’m running here on the podcast that I’m calling the 12-Month Memoir. Over the holidays I was thinking about you and what you might want heading into the new year, and what came through was a month-by-month plan for how to use your time, energy, and money as a memoir writer so that by the end of twelve months, you’ll have a finished memoir draft in hand, ready to move into publication. You can catch up on part 1–3 back in episode 113–115. Today we’re getting into our fourth and final installment! Let’s get started.

This episode is for the writer who wants to actually finish their memoir manuscript. This episode is also part of a four-part series that I’m running here on the podcast that I’m calling the 12-Month Memoir. Over the holidays I was thinking about you and what you might want heading into the new year, and what came through was a month-by-month plan for how to use your time, energy, and money as a memoir writer so that by the end of twelve months, you’ll have a finished memoir draft in hand, ready to move into publication. You can catch up on part 1 and part in episodes 113 & 114. Today we’re getting into part 3! Let’s get started.

This episode is for the writer who wants to actually finish their memoir manuscript. This episode is also part of a four-part series that I’m running here on the podcast that I’m calling the 12-Month Memoir. Over the holidays I was thinking about you and what you might want heading into the new year, and what came through was a month-by-month plan for how to use your time, energy, and money as a memoir writer so that by the end of twelve months, you’ll have a finished memoir draft in hand, ready to move into publication. You can catch up on part 1 back in episode 113. Today we’re getting into part 2! Let’s get started.

This episode is for the writer who wants to actually finish their memoir manuscript. This episode is also part of a four-part series that I’m running here on the podcast that I’m calling the 12-Month Memoir. Over the holidays I was thinking about you and what you might want heading into the new year, and what came through was a month-by-month plan for how to use your time, energy, and money as a memoir writer so that by the end of twelve months, you’ll have a finished memoir draft in hand, ready to move into publication. Today is part 1. Let’s get started.

This episode is for the writer who is looking back on the last year and feeling more discouraged than not when it comes to your memoir. Today I want to validate the frustrations you’re experiencing, highlight why what used to work for your writing doesn’t anymore, and show you how to reset your writing for the new year into a sustainable energy and structure. Let’s get into it.

This episode is for the writer who wants to finish their memoir in 2026. You’ve already invested years and years into this work, and you just want to be finished with your draft. Heading into 2026, this is what I want for you: Yes, I want you to finish your memoir manuscript. I also want you to love it. The thing is that if writing your way worked, you’d have finished and published by now. So let’s talk about why this is and how to shift it going into 2026.

This episode is for the writer who has thought about throwing in the towel, but something keeps stopping you from giving up. Maybe you think about publishing your memoir, but often you can’t even think that far ahead. What you are actually waiting for is a moment in the drafting process that I’m going to highlight today, and hopefully this small perspective shift can make your writing feel more do-able to you. Ultimately I want this episode to serve as a lighthouse to you when writing feels hard and frustrating. Let’s get into it.

This episode is part of a series where I take already published memoir and break down what works and why (and what doesn’t work and why). I’ve found that when I’m teaching my Memoir Method concepts to my writers, they benefit from seeing how these principles play out in memoir that you can find at the bookstore. This month I’m looking at the self-published memoir, The Light that Shines Through: One Woman’s Journey of Healing and Stepping into Her Power by Shawna Thibodeau.

This episode is for the writers who know they’re really good writers. You know how to turn a phrase. You know how to tap into your voice and you have a style. You love the craft of writing, and you know that the quality of your writing is exemplary. I say this with so much love, friend: Just because you’re a good writer doesn’t mean that you’re going to write a good memoir. Today I’ll show you the missing piece in the creativity of memoir so that you can write a beautiful memoir that is also a good memoir. Let’s get into it.

This episode is for the writer who is actually really good at sitting down to write. Procrastination probably isn’t your kryptonite (at least when you’ve made writing a habit). I can bet that you’re disciplined and committed to the projects that matter to you. You wouldn’t have even considered writing your memoir if you didn’t have some chutzpah behind it! But, for reasons you can’t quite figure out, you’re still not finished. And it’s starting to drive you crazy. Let’s talk about it. (And stick around until the end of the episode, because I’m announcing something new and fun and it comes with a little holiday sparkle!)

This episode is for the writer desperate to reconnect to her memoir. You’ve felt meh about your memoir for months, and you’ve realized that you hate feeling that way about your story. You hate feeling frustrated and discouraged about this manuscript that actually means so much to you. I walk my clients through very deep and vulnerable moments of doubt and discouragement, and without fail, when they reach a certain point, they skyrocket. Today I’m bringing you behind the curtain so that you can see when this happens and when it can happen for you too. Let’s get started.

This episode is part of a series where I take already published memoir and break down what works and why (and what doesn’t work and why). I’ve found that when I’m teaching my Memoir Method concepts to my writers, they benefit from seeing how these principles play out in memoir that you can find at the bookstore. This month I’m looking at the memoir / true crime hybrid The Tragedy of True Crime, and today is part 2.

This episode is for the writer who keeps coming back to the same chapters to rewrite. I won’t ask you to tell me how many drafts you’ve worked through, but I’ll chance a guess that it’s more than three or four. I’ve seen this happen with brilliant writers, and it’s a spiral that will cannibalize your offer. You can get to a point where you’re OVER editing, OVER working your memoir, and you’ve lost the plot. Let’s talk about it.

This episode is part of a series where I take already published memoir and break down what works and why (and what doesn’t work and why). I’ve found that when I’m teaching my Memoir Method concepts to my writers, they benefit from seeing how these principles play out in memoir that you can find at the bookstore. This month I’m looking at the memoir / true crime hybrid, The Tragedy of True Crime, and today is part 1. Let’s get started.

This episode is for the writer who thinks that if they just found the right editor then they could make sense of their memoir. When creativity gets hard, it sometimes stops being fun, and when that happens, you start wondering if there isn’t an easier way to make this memoir happen. Spoiler alert, there isn’t a shortcut. You do have to do the hard part. But the way you walk through the hard part? That’s where we get to play and that’s what we’re diving into today. Let’s get into it.

This episode is for the writer who has been burned by editors before. You’ve invested time, money, and trust into an editor, and you feel if not betrayed, at least disillusioned. Your memoir isn’t any closer to being finished and now your document is marked up with comments and changes that you don’t know what to do with. Today I want to dive into why that is and how to re-empower yourself as the author seeking support.

This episode is part of a series where I take already published memoir and break down what works and why (and what doesn’t work and why). I’ve found that when I’m teaching my Memoir Method concepts to my writers, they benefit from seeing how these principles play out in memoir that you can find at the bookstore. This episode is special for three reasons: First, we sit down to discuss this month's memoir, Renegade Agency with the author herself, Andrea Verbanic. Second reason, Andrea was my very first client and third this is my 100th episode! Let's get into it!

This episode is for the writer who is embarrassed to tell me how many times you’ve rewritten your draft. You’re committed and resilient, but yet that’s not resulting in a manuscript that you’re proud of and want others to read. The big reframe we get to explore today is that rewriting is not the same as revising. This is a big one, so let’s get into it.